I could write you a five-page essay on why I loved Wonder Woman, dir. Patty Jenkins. Well, I have a week off soon, so I actually might, but tonight I am tired and in desperate need of a nap, so I’ll keep it brief. AdvertisementsRead More Wonder Woman (2017)
Hidden Figures deserves to win all the Academy Awards.Read More Hidden Figures (dir. Theodore Melfi, 2016)
There’s four new heroes in town. I watched Ghostbusters this past weekend, making it a point to go see it on its opening weekend here in Germany. I’d been looking forward to it pretty much since the first announcements, and definitely since the first casting news. I watched and up-voted the first trailer everywhere I […]Read More Answer the Call: Ghostbusters (2016)
James Bond is back. Three years after the veritable anniversary smash hit that was Skyfall, director Sam Mendes gives us Spectre. Here’s what I thought of Spectre in a nutshell: It’s a fantastic James Bond movie, it shows the franchise adapting to a modern way of storytelling. It introduces repercussions and consequences into a narrative […]Read More 007: SPECTRE
The twentieth-century James Bond is, to use M’s words, ‘a misogynist dinosaur, a relic of [a] cold war’ that never turned hot, and he’s the result of an unholy trinity of (toxic) hyper-masculinity, international terrorism, and whatever the hell ‘quintessential Englishness’ actually means. Just after the UK premiere of SPECTRE, a colleague of mine and […]Read More The Cultural Appeal of James Bond, and How He Could Endure
If you haven’t seen Mad Max: Fury Road yet, I strongly urge you to. Not only does it tell us, in the wake of summer action blockbusters like Age of Ultron and Fast and Furious 7, that this genre is neither dead nor dying — it tells us that it works across gender boundaries. Tom […]Read More Mad Max: Fury Road
You will probably have noticed that I didn’t say anything about Severine in my initial review. That was partly because I did love the film and didn’t want to interrupt it with a rant and kill the mood, and partly because I wanted to take another day to think about it in more detail. My […]Read More Follow-up to 007: Skyfall—Severine
We have come full circle. This is it, this is the reboot. Staging the scene in Casino Royale, the Bond franchise has renewed itself. It’s the old crew as we know it—but it’s new digs, indeed; even as hints as big as anvils are dropped that James is getting too old for this shit. Explosions! […]Read More 007: SKYFALL
Sherlock Holmes: A Game of Shadows. The sequel is always the challenge. Most sequels, to put not too fine a point to it, suck to a certain extent, and only too often you sneak into the cinema with that feeling of Oh Dear Filmmakers, Please Don’t Ruin This For Me. If the first part was […]Read More Sherlock Holmes: A Game of Shadows.
As threatened, I’m now going to review a few of my favourite Sherlock Holmes adaptations—well, let’s face it, it’s mostly a collection of edited caps and ramblings about Holmes and Watson’s bromance, but whatever, I’m having fun, and I hope the inclined reader may have some, too. If you’re ready to go down the rabbit […]Read More His Depravity Knows No Bounds–Three Times Sherlock.
So, yes, he said ‘dangerous’, and here we are. This is a review of the 2002 production of Sherlock with James D’Arcy and Vincent D’Onofrio; in which Sherlock’s past is illuminated, the beginning of his career as a consulting—or, as he calls himself in this film, private—detective. It’s made of spoilers, reader discretion is […]Read More Review — ‘Sherlock: Case of Evil’ (2002).