Category: Doctor Who

There’s a madman in a blue box, and he’s coming to take you away to see the stars.

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Doctor Who: Knock Knock + Oxygen (S10E04+05)

Doctor Who Series 10 is shaping up to be a true mystery series — rather than the only challenge being to outsmart an obvious villain, a lot of work is being done by Bill and the Doctor to figure out what they’re even fighting and/or running away from. In these two episodes from early May, that set of challenges comes in the shape of a haunted house and murderous capitalist spacesuits, respectively.

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“I’m the nanny!” — Doctor Who: The Return of Doctor Mysterio

Oh, I have missed this. So, so much. I found some of Moffat’s Christmas Specials a little bumpy, but I really had fun watching this. The story was well-paced enough, the nefarious plan was engaging rather than entirely foreseeable, and the script combined fun and suspense as well as a few wistful moments following on the heels of the previous episode, The Husbands of River Song.

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Doctor Who — The Husbands of River Song

Previously on Doctor Who: Heaven Sent + Hell Bent.

Guys — we’re going to need a bigger flowchart. It’s the year 5343, humans are, for some reason, still really, really obsessed with Christmas (decorations), and the Doctor picked the prime spot to hide from, well, Christmas. You can imagine why he might not take to the TARDIS’ attempts at cheering him up very kindly.

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Clara faces the Raven

Doctor Who: Sleep No More + Face the Raven

Previously on Doctor Who: The Zygon Invasion + The Zygon Inversion

The filler before the series finale, Sleep No More is truly a standalone, whilst Face the Raven connects to the series finale, Heaven Sent/Hell Bent. Since I don’t fancy writing a three-episode review next week, I’m keeping with the two-episode scheme today.

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Peter Capaldi and Maisie Williams in Doctor Who Series 9

Throwback Thursday — Doctor Who: The Girl Who Died + The Woman Who Lived

Previously on Doctor Who: Before the Flood.

In the first two-parter guest starring Maisie Williams, we’re visiting first the Vikings, and then the (I’m guessing) late 18th century. With war-thirsty aliens projecting a false god Odin into the skies (very Monty Python’s Holy Grail, by the way), the mere fact that we’re visiting the Vikings is not so much the point, except perhaps for the idea of a death in battle being a good way to go. Since the whole episode is set within one tiny village and, intermittently, on one pretty small spaceship, the world-building isn’t as extensive as we’ve known it to be.