The Weeping Lady

Sleepy Hollow: ‘Go Where I Send Thee’ & ‘The Weeping Lady’

Previously on Sleepy HollowRoot of All Evil.

Early mid season episodes can be tough, both on the characters and on the set-up of the plot arc, so I figured it’d be best to let two or three weeks go by  — watching week to week is great for suspense, but sometimes giving it two or more episodes at a time can be helpful to feel out where things are going. Since I’ll be in London over the weekend and then going back to work, I didn’t relish the prospect of coming home to sets of three new episodes per show, so two will have to suffice. Here we go. Continue reading →

Abbie and Ichabod in 'The Kindred'

Sleepy Hollow: The Kindred.

Previously on Sleepy HollowThis Is War.

Things take a turn for the even more complicated with the arrival of the new Sheriff, Leena Reyes. She knew Jenny and Abbie as children, and their mother, of course. In short, she knows too much and yet not enough. With Jenny back in jail for illegal possession of firearms and with Captain Irving now transferred to the psych ward, Ichabod and Abbie are a few allies short — except, of course, for the Kindred. But something tells me he isn’t going to stick around for tea. Continue reading →

Sleepy Hollow Season 2 promo

Here’s the first official promo for Season 2.

Now, what do we have here?

War, is what. And apparently, the evil forces converging on Sleepy Hollow aren’t just turning up now, nor was it a coincidence that they made their first attempt during the Revolutionary War. As Ichabod states, “they have been planning this since before the birth of our nation.”

So, as we can see, Abbie, Katrina, and Ichabod all get released from the shackles they were put in during the Season 1 finale cliffhanger — Abbie gets out of purgatory, Ichabod digs himself up from his second early grave, and Katrina gets out of that tree. Question is, where does she go after? She’s definitely going to be interacting with 21st-century mortals, but what will happen after that? Surely, she and Abbie will have to trade places again, after what looks like a nasty run-in with a chair, rope, and a Hessian’s knife.

After last season’s end’s nasty surprise that their son, Jeremy, is aiding the Four Horsemen conquer Earth, Ichabod and Katrina are in for a world of pain during the brief time they will probably have together.

So far, this promo tells us nothing of our beloved supporting characters: of Jenny, of Captain Irving and his family. A first look official photo, however, suggests that Captain Irving will be institutionalised. When I first saw the image, I thought he was going to be thrown in jail, but just today I rewatched parts of the first season and realised that what I mistook for State Penitentiary garb was actually a top with the logo of the mental hospital Jenny was held in during the first half of Season 1. Jenny’s fate was unclear at the end of the last season’s final episode, though I believe she will pull through. Abbie needs her sister, and I don’t think they would sacrifice such a great supporting character for additional loss and drama.

Interview round-up: FOX’s Sleepy Hollow and Almost Human

“Frankly, I’m stunned and elated,” executive producer Alex Kurtzman tells “Our jaws were on the floor. We kind of can’t believe it. The whole energy surrounding Sleepy Hollow from the fans is just extraordinary and the thing you dream of.”

In an interview with, Sleepy Hollow‘s exec talks about the show’s rousing success with the media and its fandom — and what that’s down to, most notably Nicole Beharie and co-star Tom Mison, whose chemistry, Kurtzman notes, is ‘totally real,’ because of the close friendship the two actors have struck up over the course of shooting the new series.

Read the whole interview on 

I don’t normally blog extensively about interviews, but this one with A. Kurtzman I like because, one, I’m a sucker for fandom-positive pieces, and the cast and creators of Sleepy Hollow are so incredibly game for all the stuff fandom comes up with that I couldn’t let this one pass me by. The other reason is that Sleepy Hollow as a show is a bit of a phenomenon. I have speculated before that it may have stolen some of Dracula’s thunder in the horror/Gothic fiction corner this season, coming so fresh out of the gate — and taking itself far less seriously than its NBC counterpart.

Another funny detail, just on the side, is that Kurtzman alludes to the parallels drawn between Abbie and Ichabod, and Scully and Mulder. While he’s right in that Abbie was, at the beginning, a very different kind of skeptic from Scully, it’s just funny in light of the fact that the fandom has recently concluded that ‘Leftenaaaaaaant!’ might easily becomes the new ‘Scullaaaaaaay!’…

Meanwhile, Almost Human‘s executive producer and co-creator J.J. Abrams has talked to about the making of FOX’s new SciFi drama, its procedural format, and the show’s resemblance (or lack thereof) to another of his brain children, Fringe:

I think that they’re incredibly different shows. I think that the overlap, the Venn diagram of these two, might be that they’re sort of pushing the edge of technology and what might be possible in that regard but I think the series themselves are completely different types of shows.

Read the whole interview on →

Disclaimer: I must profess that I am not a Fringe expert — I think I’ve seen half an episode once. While its premise intrigues me, you know how it is, the stars just haven’t aligned and the right moment to dive into it hasn’t yet come. One thing I am a bit of an expert on: procedural shows. Most of serialised TV fiction comes in the form of a procedural — that’s what genre fiction means. Without format, no genre, at least not on TV, and most literary works follow those narrative guidelines, too; they have to, otherwise we wouldn’t know what was what.

The point being: procedurals can tire an audience out. Add to the fact that Almost Human is, simplistically speaking, a buddy cop show, the range gets a little narrower. But — yes, there’s a but — what I think Almost Human has got going for itself is the way it incorporates this into the SciFi part. As’s Cory Barker said in their review of Are You Receiving?, Almost Human doesn’t give us much exposition on the technology used by everyone. Be it the weaponry, the MXs and DRNs themselves, most of the time, or the communication unit that is now used to transport a phone to the hostage takers: they’re just there, and we as an audience will figure out sooner or later how they work, what they do… Dorian hasn’t revealed until this episode whether he consumes food. He expects John to know that he doesn’t, as one would. It’s 2048, these folks have lived with that sort of tech for ages, they don’t expect to have to explain to anyone how anything works, so they don’t. Same as on Star Trek, for instance. Whereas shows like Doctor Who have human contemporary companions to introduce the audience to this strange world, Almost Human does entirely without such explanations, and they do great. On Doctor Who, it makes sense for the Doctor to explain because the show’s premise is different (and it’s more fun because it’s all alien stuff that doesn’t have to make sense, though offten enough it does), on a show like Almost Human, it might become info dump, lines that are wasted on information that the audience doesn’t need because, if it becomes relevant, we’re bound to see what happens. I have no idea what kind of military grade tech the hostage takers were pretending to want yesterday, and since nothing happened with it, I don’t need to. “Military grade” and “Holy Reclamation Army” pretty much already tells me enough of what I need to know about its potential uses, should it actually fall into those hands.

But I digress. What I was going for was that Almost Human seems to be walking a good path there, in keeping not only the characters and their story, but their world-building interesting. Top that off with SciFi cases that dig deeper into what SciFi does, namely commenting on our own society and humanity, and building on the great chemistry between the leads, I think the show’s set for success.

Orlando Jones and the Sleepy Hollow Fandom, via The Huffington Post

Orlando Jones and the Sleepy Hollow Fandom, via The Huffington Post

It’s rare that a part of the media presents a stage for actors and producers of our favourite works of fiction to be unequivocally positive about fandom without stabbing us in the back the next day. Too often we get cast as pervert whackos. Orlando Jones, bless him, does neither of those things. He loves interacting with the fandom and breaking the fourth wall the way he does — he as a Twitter and a Tumblr — and in this article on the Huffington Post website, he details why.

Thank you, Mr Jones.