Tag: DW Series 6

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Doctor Who Adventure Calendar 2011: Christmas episode prequel

The Doctor thinks he’s going to die, because he’s blowing up a spaceship while he’s still on it, with no chance of escape. Let me rephrase that: with no apparent chance of escape. He’s going to get out of it, it’s a prequel, dammit—but how? A consequence of River using up her regeneration cycle to save him in Let’s Kill Hitler, making him explosion-proof, justifying the line RTD (who, by the way, our hearts and wishes go out to in the light of his boyfriend’s illness) put in in The Sarah Jane Adventures: the Doctor stating that, oh, Time Lords can live forever? Or perhaps the TARDIS saves him, stubborn, sexy girl that she is. And, all questions aside, how does this connect to the Christmas Special itself, being set in England in 1941?

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What’s your name, Doctor?—DW: The Wedding of River Song.

Previously on Doctor Who: Closing Time.

I told you. He can’t possibly not have a plan.

This is how the universe does it, boys and girls. In another reality, London has changed a bit—it’s April 22, 2011. It’s the day the Doctor dies, ALL DAY, EVERY DAY, and time’s so messed up that in a parallel universe, the War of the Roses is still going on, cars are up in the air, suspended by hot air balloons, and Charles Dickens (Simon Callow) is on the telly, giving clues about the next Christmas special, The Unquiet Dead, while there’s hot Roman soldiers outside, in carriages. Oh, and pterodactyls are the new doves. Oh, and Churchill is the New Roman Emperor, and Malokeh‘s his doctor. It’s nice to have so many people put in a guest appearance, but… Eh?

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The Making of River Song—Doctor Who: Let’s Kill Hitler.

Previously on Doctor Who: A Good Man Goes to War.

Oh, dear. At the end of this episode, I am trying to find a sense of accomplishment, as I always do. Something to take with me, something that happened—in this case, there is a lot to take in, emotionally, but as for stuff happening: difficult. In the end, Hitler is still in the cupboard, the Doctor’s still alive, and Amy and Rory are still bewildered parents. Which is fine, basically setting the universe right again is what the Doctor does, it always reverts to a state of status quo, if you will, but this episode celebrates it. Or maybe the episode doesn’t have any other ideas?

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‘My friend, you have never risen higher’—Doctor Who: A Good Man Goes to War.

Previously on Doctor Who: The Almost People (2).

Right, this bit is (almost) all you’re gonna get, because I’ll go off quoting the entire episode. Because, oh, this script. These lines:

I wish I could tell you that you’ll be loved, that you’ll be safe and cared for and protected. But this isn’t a time for lies. What you are gonna be, Melody, is very, very brave.

But not as brave as they’ll have to be. Because there’s someone coming. I don’t know where he is or what he’s doing, but trust me, he’s on his way. There’s the man who’s never gonna let us down and not even an army can get in the way. He’s the last of his kind. He looks young but he’s lived for hundreds and hundreds of years. And wherever they take you, Melody, however scared you are, I promise you, you will never be alone because this man is your father. He has a name but the people of our world know him better as the Last Centurion.