Sometimes, I Hate It When I’m Right—Elementary: Pilot.

Before CBS’ new original series finally premiered on telly last night, there was a lot of talk, a lot of controversy, a lot of debate, and, let’s face it, a lot of butthurt. Moffat was annoyed, Benedict Cumberbatch was graceful—basically, everything as it always is. After the resounding success of the BBC’s Sherlock, of course there was going to be a lot of commentary coming from all sides. Whether the conception of this show was born out of opportunism, or by coincidence, does not take away from the fact that it deserves to be assessed on its own merits. Continue reading →

“I Was So Alone, and I Owe You So Much”—Sherlock: The Reichenbach Fall.

Previously on Sherlock: The Hounds of Baskerville.

This is amazing television. This is an emotional rollercoaster like I’ve never been on one. I cried, then I giggled, then I cursed, and then I cried again. A lot. This is writing (I may have been disappointed with Steve Thompson’s Blind Banker last series, but this… this is perfection, and I bow to his script), directing, and acting genius on a silver platter, and if this series of Sherlock does not win just about every award there is to win, then I don’t know what’s wrong with the world.

This is the Final Problem.

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Sherlock Holmes: A Game of Shadows

Sherlock Holmes: A Game of Shadows.

Sherlock Holmes: A Game of Shadows.

The sequel is always the challenge. Most sequels, to put not too fine a point to it, suck to a certain extent, and only too often you sneak into the cinema with that feeling of Oh Dear Filmmakers, Please Don’t Ruin This For Me. If the first part was good, the second has to be better, or otherwise the characters will feel watered-down, the plots will lose significance, simply because this new world that has been created has lived on in our minds and imaginations for so long that we know it like our own backyards. I would argue that that makes many fans crave a sense of coming home, and yet awakens the thirst for surprises, for something new, for the characters we love have had many an adventure since we last saw them on the screens in our heads already.

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His Depravity Knows No Bounds–Three Times Sherlock.

As threatened, I’m now going to review a few of my favourite Sherlock Holmes adaptations—well, let’s face it, it’s mostly a collection of edited caps and ramblings about Holmes and Watson’s bromance, but whatever, I’m having fun, and I hope the inclined reader may have some, too.

If you’re ready to go down the rabbit hole and, as Holmes puts it, ‘dirty your fluffy white tail,’ onwards after the jump.

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“Everything Else Is Just Transport.” — Sherlock: A Study in Pink 1.0 (The Unaired Pilot).

Sherlock reviewed so far: A Study in Pink, The Blind Banker, and The Great Game.

The BBC have published a DVD with all three episodes of Sherlock that have been transmitted so far, and said DVD contains the unaired pilot episode for the series: A Study in Pink, roughly 55 minutes long, directed by Coky Giedroyc. This review is made of spoilers for both episodes, so unless you’ve been living on Pluto for the last few weeks and haven’t seen the actually transmitted version, or if you still want to see the unaired pilot without having any idea, you might want to avoid reading this. If you don’t care either way, follow me!

Definitions: When I say pilot, I mean, well, the pilot; when I say episode, I mean the one that actually aired, the 90-minute one. Just to help any confusion that might arise due to incessant rambling and very long sentences.

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Review — ‘Sherlock: Case of Evil’ (2002).


So, yes, he said ‘dangerous’, and here we are.
This is a review of the 2002 production of Sherlock with James D’Arcy and Vincent D’Onofrio; in which Sherlock’s past is illuminated, the beginning of his career as a consulting—or, as he calls himself in this film, private—detective. It’s made of spoilers, reader discretion is advised. Continue reading →

Don’t Get Murdered While You’re Wearing an Alarming Shade of Pink. SH

A Study in Pink, the first of three episodes of BBC One’s Sherlock aired yesterday evening, and I’m bloody sold. What Steven Moffat and Mark Gatiss have thought up on long, dreary train rides to and fro between London and Doctor Who-Cardiff is amazing, gripping, clever, quick-witted, imaginative, insightful, great handiwork, wonderfully cast, … blahblah. I could go on kissing arse for hours. And I will; but first, the obligatory warning:

Spoilers! If you haven’t seen the episode yet, do it, and come back later. Or just read it anyway, you’re old enough. Continue reading →